Also released was the M3R, which was a scaled down rackmount model without the sequencer. Other versions of the M1 soon followed when Korg introduced the M1R, (rackmount version), M1EX keyboard and M1R-EX (another rackmount) which included an additional 4 megs of sample waveforms. ![]() They are still competing today for what is now known as the "workstation market". Following the M1's success, other manufacturers like Roland and Yamaha offered competing workstations and the three companies eventually became known as "The Big Three". This let you assemble fatter sounds by layering two or more programs together on a single key and also creating "splits" where different programs could play on different ranges of the keyboard. The M1 expanded on the concept of the "combi" that they introduced in the DS-8 the year before - which combines up to eight patches to play at once. ![]() In the six years that it was produced, more than 250,000 M1's were sold, making it Korg's best selling synthesizer and one of the top selling synths of all time. ![]() A big breakthrough at the time that included a built in sequencer, large selection of acoustic, electronic and world ethnic sounds and the major advance of having several onboard effects. Released in 1988, The Korg M1 was the first "music workstation".
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